![]() ![]() ![]() The author comes to the conclusion that in the synthesis of heterogeneous creative tendencies there was an expansion and renewal of the panorama of the clarinet's artistic imagery, unknown in previous periods. Trying to fully reveal the figurative content of the solo wind composition, the clarinet reveals the acoustic features of the sound of the wind instrument, creates a simultaneous combination of expressive means of different technology. gradually, especially clearly began to appear in the second half of the twentieth century. It is argued that new features of the clarinet solo wind were formed during the 19th and 20th centuries. ![]() The article analyzes the features of the transformation of the artistic image of the performer and listener into a solo on wind instruments in musical-historical dynamics. ![]()
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